If you're coming into live music photography expecting it to be like working in a studio—think again. The two couldn't be more different. In a photography studio, you have full control over the lighting: where it goes, how intense it is, and what colour temperature you're working with. You set the mood, you shape the shadows, and you dictate the scene. Live music photography, however, flips all of that on its head. You're not in control—the lighting director is. And their job is to make the band look amazing for the audience, not necessarily for your camera.
In a studio, you might spend 15 minutes fine-tuning just one light. At a live gig, the lights can change three times in one second. That means as a concert photographer, you have to adapt constantly and think on your feet. Timing becomes everything. You need to anticipate where the lights will hit, how they’ll move, and when a key moment is about to happen—like a jump, a scream, or a blast of smoke and colour.
One of the biggest adjustments when you're used to controlled environments is camera settings. In a studio, your settings may stay the same for the entire shoot. At a gig, they’re always changing. For this reason, many photographers shoot in full manual mode, so they can adjust the aperture, shutter speed, and ISO on the fly. But for me, I find shooting in aperture priority mode works best. This allows me to lock in the depth of field I want—usually around f/2.8 to let in as much light as possible—and the camera automatically adjusts the shutter speed. That way, I can focus my attention on watching the light and managing my ISO as needed.
ISO is a critical factor in low-light photography. At gigs, I often start with my ISO set around 3200. That usually gives me enough sensitivity to handle dim or moody stage lighting. But sometimes, when the lighting is too low or the shutter speed drops too much, the photos can start to look grainy or underexposed. In those moments, I’ll bump my ISO up to 6400, which usually clears things up. Some noise is inevitable at higher ISOs, but I’ve found that most modern cameras, like my Nikon Z6II, can handle it quite well, especially when you clean up the images slightly in post-production.
One important rule in live music photography: never use flash. Flash or speedlights are not only distracting to the performers, but also to the audience. Most venues and artists won’t allow it, and using one could get you kicked out—or worse, ruin a shot for everyone else. Part of the challenge (and the fun) of this type of photography is learning to work with what you’ve got, and in this case, what you’ve got is stage lighting.
Stage lights can be magical when used right. Backlighting can create incredible silhouettes. Spotlights can carve a lead singer out from the background. Coloured lights—reds, blues, purples—can flood the scene with mood and energy. But they can also be your worst enemy. Deep reds can crush detail. Rapid strobes can confuse your autofocus. Colour shifts can make skin tones look unnatural. You have to learn how to embrace the chaos, time your shots well, and know when to wait or when to fire away.
 
Composition and positioning are just as important as settings. If you see the lighting crew using certain rigs or spotlights at intervals, you can anticipate when those lights will hit the performer again. Position yourself to make the most of those moments. One of my favourite shots, called Mr Hand, was taken during a Pink Floyd tribute show. I saw the singer raise his hand just as a white spotlight cut through the haze—it was a one-in-a-million moment that only lasted a second. But I was in the right spot, with the right settings, and got the shot.
Ultimately, shooting live music is about reacting quickly and understanding how light shapes the story you're telling. You're not just taking photos of people on a stage—you're capturing a feeling, a moment, an experience. And the light is your paintbrush. You just have to learn how to use it—even when it's moving, unpredictable, or completely out of your control.
So no, it’s not like working in a studio. It’s harder, faster, more intense—and honestly, I wouldn’t have it any other way.
 

 ​Getting into live music photography as a new photographer can be exciting and challenging. Here's a step-by-step guide to help you break into the scene and start building your name:


1. Start Small: Local Gigs & Small Venues
Begin by attending local shows at small venues where access is less restricted. Many local or emerging bands are happy to have someone photograph them in exchange for a few quality images. You don’t need a media pass for these—just buy a ticket, bring your camera (check the venue’s policy), and shoot from the crowd.


2. Build a Solid Portfolio
Use those small gigs to build a body of work that shows your style. Focus on capturing emotion, energy, lighting, and unique moments. A portfolio can be as simple as a curated Instagram page or a website, like your kazmariephotography.com—where potential clients and bands can see your work.


3. Learn to Work with Stage Lighting
As your “Lighting Is Everything” piece illustrates, mastering concert lighting is critical. Practice shooting in challenging lighting conditions and learn to anticipate lighting changes. Shoot in RAW, use fast lenses, and get comfortable adjusting your settings quickly in manual mode.


4. Reach Out to Bands Directly
Contact bands directly—especially if they’re playing in your area. Offer complimentary shoots in exchange for credit and permission to use the photos in your portfolio. As you already do, send well-written emails requesting media access, showing professionalism and enthusiasm.


5. Network with Venue Staff and Promoters
Building relationships is key. Introduce yourself to venue managers, lighting technicians, sound engineers, and promoters. Let them know what you do and offer them your photos if they’d like to use them for promotion. Your reputation will grow through word-of-mouth.


6. Apply for Photo Passes
Once you have a solid portfolio, start applying for media passes. Contact publicists, band managers, or promoters. A clear, professional request—including links to your work and details of where the photos will be published—can help get you access.


7. Stay Consistent and Show Up
Live music photography takes patience and persistence. Keep showing up, keep shooting, and continue sharing your work. Consistency helps build recognition and trust within the music community.


8. Consider a Blog or Social Media Content
Document your journey (as you’ve already been doing), share behind-the-scenes stories, gear tips, and your favourite shots. This helps build your brand and encourages others to follow your work.

​

 ​Being a business owner and a live music photographer is more than just a job—it’s a passion that drives me every day. There’s something incredible about capturing the raw energy of a live performance, freezing a moment in time that tells the story of a gig in a single image. Through Kaz-Marie Photography, I get to combine my love for live music with my creative vision, building a career that truly excites me.
Capturing the Emotion of Live Music
One of the things I love most about being a live music photographer is capturing the authentic emotions of both the artists and the audience. Every gig has a unique atmosphere, whether it's an intimate acoustic set or a full-throttle rock show. The way a musician connects with their instrument, the raw emotion in their expression, the crowd’s energy—these are the moments that make live music so powerful. My goal is always to take that one defining shot that encapsulates the entire gig in a single frame.
The Freedom of Running My Own Business
Owning my own photography business gives me the freedom to work on my terms. I get to choose the gigs I shoot, the artists I collaborate with, and how I grow my brand. There’s no better feeling than knowing that my hard work and dedication are shaping my own future. While it comes with challenges—like networking, marketing, and the hustle of building a reputation—it’s all worth it when I see my work being appreciated by bands and fans alike.
Giving Artists a Visual Legacy
Another aspect I love is being able to give artists high-quality images that they can use to promote their music. Seeing my photos on a band’s social media, album covers, or promotional materials is always an amazing feeling. I love hearing their reactions when they see my shots—whether it’s excitement, gratitude, or surprise at a moment they didn’t even realize was captured.
Constantly Learning & Growing
The live music industry is fast-paced and ever-changing, and that keeps me on my toes. I’m always learning new techniques, experimenting with lighting, angles, and editing styles to enhance my work. Every gig presents a new challenge—whether it’s unpredictable lighting, moving subjects, or crowded venues—but that’s what makes it exciting.
Building a Name in the Industry
I’m still in the process of establishing myself in the industry, but every gig, every connection, and every photo I take gets me one step closer to making a lasting impact. Photography isn’t just about taking pictures—it’s about storytelling, capturing memories, and being part of the music scene in a meaningful way.
At the end of the day, I love what I do because it’s a perfect blend of passion, creativity, and business. Through Kaz-Marie Photography, I get to document unforgettable moments, support the music industry, and create a career doing what I love. That’s why being a business owner, and a live music photographer is the perfect path for me.
 

Live music photography is more than just taking pictures of a band on stage—it’s about capturing the raw energy, emotion, and atmosphere of a performance. Every gig is unique, and being in the heart of the action, witnessing those electric moments, is what makes this job so exciting.
Capturing the Emotion of the Band and Audience
One of my favourite things about live music photography is capturing the pure, unfiltered emotion of both the band and the audience. Musicians put their heart and soul into their performances, and when they’re on stage, you can see the passion in their expressions, the intensity in their movements, and the connection they create with their fans.
From the guitarist lost in a solo to the lead singer belting out lyrics with closed eyes, these moments tell the story of the night. It’s not just about snapping a photo—it’s about freezing a second in time that embodies the emotion and energy of the show. The audience plays just as big a role; whether it's a sea of hands raised in the air, a fan singing along with teary eyes, or the wild excitement of a mosh pit, these reactions are just as powerful as the performance itself.
Finding That One Shot That Defines the Whole Gig
Every show has that moment—the one shot that sums up the entire night in a single frame. It might be the perfect combination of lighting, movement, and emotion, or it could be an unplanned, spontaneous interaction between band members or a crowd surfer mid-air. These are the shots I chase at every gig.
One example is my photo from the Ecos of Pink Floyd show at the Corner Hotel. The lead singer raised his hand at the perfect moment as the stage lights hit just right, creating a dramatic silhouette. I named the shot Mr. Hand, and it’s still one of my favourite captures. Shots like this tell the entire story of the performance—one frame that sums up the energy, the atmosphere, and the impact of the night.
Delivering Photos to the Artists
One of the most rewarding parts of live music photography is handing the photos over to the artists and hearing their reactions. Musicians often don’t get to see themselves performing in the way their fans do, so being able to show them those powerful moments is something I truly love. When an artist tells me that a photo captured exactly how the gig felt, I know I’ve done my job right.
I’ve had bands use my photos for social media, and seeing my work out in the world, representing the music I love, is an incredible feeling. It’s not just about taking photos—it’s about creating something meaningful for the artists and their fans.
 
The Freedom of Working for Artists
 ​Unlike traditional photography jobs, where you might have to follow strict guidelines, live music photography allows for creative freedom. Each gig is different, and I love being able to adapt to the energy of the show, move around the venue, and capture moments in my own unique style. It’s a constantly evolving challenge, and I thrive on that.
At the end of the day, being a live music photographer is more than just a job—it’s a passion. I get to combine my love for music and photography into a career where every night brings something new, unexpected, and exhilarating. And that’s why I love what I do.
 

Breaking into the live music photography scene can be tough, especially when you’re just starting out. With so many photographers out there, getting your foot in the door often means offering your services for free. While it might seem counterintuitive, shooting gigs for free at first can be one of the best ways to build your reputation, refine your skills, and ultimately, land paid opportunities.




​
1. Getting Experience and Building a Portfolio:
When you start out, you need proof that you can capture the energy of a live gig. By shooting local bands, open mic nights, or smaller venues for free, you build a strong portfolio to showcase your work. This is essential when approaching larger bands, promoters, and venues for paid gigs.
In my own journey, I began by shooting smaller gigs, moving around the venue, experimenting with lighting, and learning how to anticipate key moments. Over time, I developed a style that made my work stand out.

2. Networking with Bands, Venues, and Promoters:
Live music photography is as much about who you know as it is about how good your shots are. Shooting free gigs introduces you to band members, managers, and event organizers, many of whom will remember your work when they need a photographer for bigger shows.
For example, I shot Sisters Doll’s Northcote Social Club gig early on. By the time they played their Max Watts album launch, I was already on their radar, leading to an amazing opportunity to capture one of their biggest shows yet.

3. Getting Published and Recognized:
Even if a gig is unpaid, the exposure can be valuable. If a band shares your images (with proper credit), your work reaches their fans, other industry professionals, and potential clients. Magazines, blogs, and music websites are also more likely to feature your work if they see you consistently covering live gigs.
Platforms like Triple M, The Music, or Beat Magazine often repost high-quality concert shots. A single feature can lead to paid commissions or even official tour photographer roles.
 
4. Turning Free Shoots into Paid Work:
The key to success is knowing when to transition from free work to paid gigs. Once you’ve built a solid portfolio, network, and reputation, it’s time to start charging. Some ways to make the shift:

• Offer teaser rates: If a band loved your free photos, offer a discounted rate for future shoots.
• License your images: If a venue or promoter wants to use your shots for promo material, they should pay for them.
• Apply for media passes: Publications pay for good content—getting accredited as a press photographer can bring steady work.

Final Thoughts:
While shooting gigs for free shouldn’t be a long-term strategy, it’s a powerful stepping stone. It allows you to hone your skills, get your name out there, and make industry connections. The key is to know your worth, build your reputation, and gradually transition to paid work—because in live music photography, the right opportunities come to those who show up, shoot, and make an impact.

 ​Lighting is one of the most important elements in concert photography. It can transform a moment, highlight a performer, and create an unforgettable atmosphere. Unlike studio photography, where lighting can be controlled, live music photography demands adaptability and quick thinking. Over the years, I’ve learned how to use lighting to my advantage to capture powerful, high-impact images that tell the story of a performance.

One of my most memorable experiences where lighting played a critical role was at the Ecos of Pink Floyd show at the Corner Hotel on 23rd of June 2024. The moment I captured—now known as 'Mr Hand'—was a perfect example of how light can elevate a shot. The singer had just lifted his hand in the air, and the lighting rig hit at just the right moment, casting dramatic shadows and illuminating the scene beautifully. It was a split-second moment where everything aligned—the emotion, the pose, and the light. Without that precise lighting, the shot would not have had the same impact.

Different lighting styles can create vastly different moods in concert photography. Backlighting, for example, can add depth and create a stunning silhouette effect. Spotlights can isolate a performer, drawing the audience’s focus to a single moment on stage. Coloured lights, while sometimes challenging to work with, can add intensity and emotion to an image. Knowing when to use these lighting techniques is essential in capturing the energy of a live show.

One of the biggest challenges in live music photography is dealing with unpredictable lighting changes. Strobe lights, intense reds, or deep blues can sometimes be tricky, as they can cause loss of detail in the images. To counter this, I shoot in manual mode, adjusting my ISO, shutter speed, and aperture constantly throughout the gig. A fast shutter speed is key to freezing movement, while a slightly higher ISO helps in low-light situations without introducing too much grain.

I also position myself strategically to take advantage of different lighting angles. Being in the right spot at the right time can mean the difference between an average shot and a breathtaking one. For example, during the Ecos of Pink Floyd show, I noticed how the lighting setup would periodically illuminate the singer in a way that created dramatic shadows. By anticipating when the lights would hit, I was able to capture 'Mr Hand' exactly as I envisioned.

Understanding lighting is a continuous learning process. Every venue has different setups, and every band has a unique stage presence. The more I shoot, the more I learn how to adapt and use lighting to enhance my work. Whether it’s the glow of a single spotlight or the vibrant chaos of a full light show, lighting remains the most powerful tool in concert photography. It has the ability to turn a good photo into a great one, and I’ll continue to chase that perfect moment where light and music collide.

Photographing live music is always an electrifying experience, but there’s something uniquely intense about shooting an album launch. Unlike a regular gig, album launches are a celebration, a culmination of months—sometimes years—of work by the band. The atmosphere is charged with anticipation, the energy palpable, and for a photographer, it presents an incredible opportunity to capture history in the making.
One of the most thrilling albums launches I’ve had the privilege to shoot was Sisters Doll’s ‘Scars’ Album Launch at Max Watts, Melbourne, on January 25th, 2025. This wasn’t just another gig—it was a momentous occasion for the band and their loyal fanbase. The excitement in the air was like a pressure cooker ready to explode, and from the moment I stepped into the venue, I knew this night would be unforgettable.
The Build-Up: A Tension-Filled Atmosphere
Walking into Max Watts that night, the first thing that struck me was the sheer volume of people. Over 700 fans had packed into the venue, each buzzing with excitement, waiting for the moment when Sisters Doll would take the stage. The atmosphere was completely different from a standard gig. There was a shared energy in the crowd, a mix of nerves, joy, and anticipation that made every second leading up to the band’s entrance feel stretched and electrified.
As the night progressed, the crowd became even more restless. The support acts—Wicked Things, Atomic Riot, and Cassidy Paris—each delivered high-energy sets, which only amped up the anticipation further. Their performances set the tone for what was to come, and with each act, the tension in the room grew.
The Photography Pit: Packed and Intense
Just before Sisters Doll was about to hit the stage, I made my way into the photography pit. To my surprise, it was already packed. Unlike some gigs where photographers have space to move freely, this night was different. Every photographer wanted a piece of the action, and it was a challenge to find the right angles and moments to capture without getting in the way of others.
Despite the tight space, the pit was buzzing with excitement. We all knew something big was about to unfold, and the challenge made it even more exhilarating. My camera was ready, my settings adjusted, and my focus locked in on the stage as the lights dimmed.
When the Stage Erupted
The moment Sisters Doll stepped onto the stage; Max Watts exploded. It was as if all the anticipation had finally been released in one massive burst of energy. The pyrotechnics and confetti cannons added to the spectacle, and the band wasted no time launching into their set with raw intensity.
One of the most mind-blowing moments was the 360-degree spinning drum solo by Bryce. Capturing that on camera was a challenge, but the movement, lighting, and sheer excitement made for some of the most dynamic shots I’ve ever taken. The crowd went wild, and as a photographer, it was my job to translate that energy into still images that could tell the story of the night.
The Takeaway: Why Album Launches Are Special
Shooting an album launch isn’t just about taking great photos—it’s about capturing a defining moment in a band’s career. These events are more than just performances; they are milestones, celebrations, and emotional rollercoasters for both the artists and their fans.
Compared to a regular gig, an album launch has a higher level of production, bigger crowds, and a unique emotional weight that makes the night unforgettable. It’s an experience where every shot matters, where every image has the potential to become a piece of the band’s history.
For any live music photographer, being part of an album launch is an unparalleled experience, and if given the chance, it’s one you should never pass up. As for Sisters Doll, their ‘Scars’ Album Launch was a testament to their growth, their connection with their fans, and their undeniable talent as performers. And for me, capturing that night was an absolute privilege.
If you ever get the opportunity to shoot an album launch, embrace it—you won’t regret it!

 ​Melbourne is known as the live music capital of Australia, boasting an incredible range of venues that cater to every genre and style imaginable. Over the years, I’ve had the chance to photograph countless gigs, and certain venues always stand out for their atmosphere, sound quality, and overall experience. Here are my personal favourite live music venues—places that have not only hosted some of the best performances but have also been instrumental in shaping my journey as a live music photographer.
Max Watts – House of Music (Melbourne CBD)
One of my absolute favourite venues, Max Watts (formerly known as The Hi-Fi) is a legendary space for live music. Located in the heart of the Melbourne CBD, this venue is known for its powerful sound system, intimate yet energetic atmosphere, and impressive lighting—all of which make for some stunning photos. Whether it’s a local rock band, an international metal act, or an up-and-coming indie artist, Max Watts delivers unforgettable performances.
One of my most memorable gigs at Max Watts was Sisters Doll’s third album launch. The pyrotechnics, confetti cannons, and even a spinning drum kit created an incredible visual spectacle that made for some of my best shots to date. The packed crowd, the intense lighting, and the raw energy of the band truly made it a night to remember.
The Corner Hotel (Richmond)
Ask any Melburnian about legendary live music venues, and they’ll mention The Corner Hotel. This iconic Richmond venue has hosted some of the biggest names in music, from Aussie rock legends to international touring acts. The low ceiling, intense stage lighting, and close proximity to the crowd make it an amazing place for both fans and photographers.
I’ve been lucky enough to shoot Ecos Pink Floyd, Ashes to Ashes (David Bowie Tribute), and various other acts at The Corner, and each time, I’m blown away by the energy of the venue. The outdoor rooftop bar is also a great place to unwind before or after a show, adding to the overall experience.
Stay Gold (Brunswick)
Tucked away in the heart of Brunswick, Stay Gold is one of the newer but rapidly growing venues on my list. It has quickly become a go-to spot for rock, punk, and metal gigs. With a modern yet grungy vibe, this venue offers great lighting and a decent-sized stage, making it an ideal space for capturing high-energy performances.
One of the most memorable gigs I shot here was The Midnight Devils—their performance was explosive, raw, and unforgettable. The small, intimate setting allowed me to get close-up shots of the band in action, and the crowd was just as wild as the musicians.
 
The Northcote Social Club (Northcote)
If you're looking for a venue with great acoustics and an intimate setting, Northcote Social Club is perfect. This venue is smaller than some of the others, but it has a dedicated crowd and always delivers amazing performances. The lighting can be a bit of a challenge for photography, but the vibe and energy make up for it.
I recently shot Murray Cook’s Soul Movers here, and it was one of the most enjoyable gigs I’ve attended. The proximity to the stage, the passionate fans, and the incredible musicianship made for a truly unforgettable night.
The Espy (St Kilda)
Last but not least, The Esplanade Hotel (The Espy) in St Kilda is one of Melbourne’s most historic and beloved music venues. With its multiple stages, seaside location, and rich history, it’s a venue that has stood the test of time. From small indie bands to major touring acts, The Espy remains a key player in Melbourne’s live music scene.
The Gershwin Room inside The Espy has hosted some of my favourite gigs and with the venue’s energy, historic feel, and vibrant crowd make it a must-visit for any live music lover.
Final Thoughts
Melbourne is overflowing with amazing live music venues, but these five are my absolute favourites. Each offers something unique, whether it’s the intense energy of Max Watts, the legendary status of The Corner Hotel, or the raw intimacy of Stay Gold and Northcote Social Club. No matter what genre of music you love, these venues guarantee incredible performances, unforgettable moments, and—most importantly—opportunities to capture some of the most stunning live music photography.
For me, live music photography is all about capturing the energy, passion, and raw emotion of a gig, and these venues provide the perfect backdrop for doing just that. Melbourne’s music scene is alive and thriving, and I can’t wait to see where my next shoot takes me!

 ​Sisters Doll, the electrifying rock band that continues to take the music world by storm, comprises Brennan (lead vocals and guitar), Austin (lead guitar and vocals), Bryce (drums and vocals), and their newest member, Sage (bass and vocals). Together, these four brothers create a dynamic blend of energy, talent, and charisma that has become their signature sound.
With the release of their highly anticipated third album—available on both vinyl and CD—Sisters Doll has solidified their place in the hearts of rock fans. Their music has gained traction on Melbourne’s Triple M, giving them even more exposure and proving their ability to craft songs that truly resonate with listeners.
I’ve had the incredible opportunity to photograph Sisters Doll live, and every performance they put on is nothing short of spectacular. One of my most memorable experiences was capturing their Max Watts gig on January 25, 2025, which was an unforgettable night filled with high-energy rock, stunning visuals, and an atmosphere unlike any other. From the moment they stepped on stage, the crowd was completely immersed in their performance, singing along and feeding off the band’s infectious energy.
This gig wasn’t just another show—it was a full-scale rock spectacle. The production was next level, featuring pyrotechnics, confetti cannons, and even a 360-degree spinning drum kit, which made for some incredible photo opportunities. It’s rare to see a band put so much effort into their live production, and Sisters Doll proved that they are committed to delivering an unforgettable experience for their fans.
The photography pit was packed, making it a challenge to move around and get the perfect shots, but I thrive on those high-pressure moments. Capturing Brennan’s powerful stage presence, Austin’s searing guitar solos, Sage’s electrifying bass work, and Bryce’s intense drumming was an absolute thrill. The combination of dramatic lighting, confetti bursts, and the sheer passion on stage resulted in some of my favorite photos to date.
Beyond their on-stage energy, what truly sets Sisters Doll apart is their dedication to their craft and their fans. They are genuine musicians who love what they do, and it shows in every note they play. Their new album not only showcases their growth but also sets the stage for even bigger things to come.
Now, with the album gaining momentum and a loyal fanbase behind them, Sisters Doll is taking things global. The band is gearing up for an exciting journey across the USA and UK, where they will bring their signature rock ‘n’ roll energy to international audiences.
From their captivating live shows to their relentless dedication to their music, Sisters Doll is proving time and time again why they are a force to be reckoned with in the rock scene. Here’s wishing Brennan, Austin, Bryce, and Sage the very best as they take on the world, sharing their passion, energy, and rock spirit with fans everywhere!

On the 25th of January 2025, Sisters Doll marked the release of their third album with a sensational gig at Max Watts in Melbourne. Known for their highenergy performances, the band didn’t just bring music to the stage—they brought an unforgettable spectacle. The night was a feast for the senses, combining dazzling pyrotechnics, confetti cannons, and the breathtaking visual of spinning 360-degree drums.

The atmosphere at Max Watts was electric from the moment the doors opened. Three stellar support acts—Wicked Things, Atomic Riot, and Cassidy Pariswarmed up the stage with their unique styles, setting the tone for what would be an explosive night. Each act brought their A-game, engaging the crowd and building anticipation for Sisters Doll’s much-awaited performance.

As a live music photographer, this event was a dream come true, but also a challenge. The photography pit was packed with fellow photographers, all eager to capture the magic of the night. Navigating a crowded pit required precision, quick reflexes, and respect for the space of others, especially when working in such a high-energy environment. However, the challenge was part of the thrill, and every moment in that pit was worth it to document the band’s performance.

When Sisters Doll took the stage, the energy in the room skyrocketed. The band members—Brennan, Bryce, Austin, and Sage—owned the stage with their signature charisma and dynamic presence. The crowd’s roar was deafening, a testament to the band’s strong connection with their fans.

The show was packed with unforgettable moments. The pyrotechnics added a fiery edge to the performance, perfectly synchronized with the beats of their songs. Confetti cannons exploded into the air, showering the audience with bursts of colour that elevated the celebratory mood. But the real showstopper was Bryce’s 360-degree spinning drum kit—a visual masterpiece that left the crowd in awe. Capturing that moment required sharp focus and perfect timing, but the resulting photos were some of the most dramatic I’ve ever taken.

The massive crowd at the gig was another highlight of the night. Fans packed Max Watts wall-to-wall, their energy feeding into the band’s performance. The audience’s enthusiasm was contagious, and it was incredible to capture their reactions—from wide-eyed wonder at the pyrotechnics to hands raised high, cheering for their favourite songs. The entire night was a testament to the power of live music to unite and energize people. Sisters Doll delivered not just a concert but a full-blown rock spectacle that left a lasting impression on everyone in attendance.

For me as a photographer, this gig was a reminder of why I do what I do. The combination of incredible performances, vibrant visuals, and a passionate crowd created endless opportunities to capture memorable shots. It was a night of challenges and triumphs, and one that will remain a highlight of my journey in live music photography.

If there was ever a show that exemplified the energy and excitement of Melbourne’s live music scene, this was it. Sisters Doll truly outdid themselves, leaving no doubt that their third album release was a night to remember.