![]() In the ever-evolving world of music photography, my passion remains deeply rooted in capturing the essence of live performances. What drives me today is the love of live music and the quest for that one perfect shot—the image that conveys the atmosphere of the gig so clearly that, with a glance, someone can feel as though they were there, caught up in the energy of the crowd. It's more than just photography to me; it's about storytelling through images, giving people a window into a world that they may have missed or preserving the memories of a night they'll never forget. Over the years, my approach to music photography has grown and adapted, but this central motivation has remained constant. Early on, I was still finding my style, moving from being a point-and-shoot photographer to someone who actively seeks out moments where the light, the movement, and the emotion all come together. Today, that search is what keeps me excited for every new gig, constantly striving to improve my craft and capture something unique each time. When it comes to selecting which gigs to shoot, I have a specific approach. Instead of focusing solely on bands or artists, I often start by identifying the venues. The venues are critical because they often dictate the atmosphere and lighting setup, both of which are essential elements in live music photography. Once I know which venues I want to shoot at, I check their schedules to see what gigs are coming up on specific days. This method allows me to balance my availability while ensuring I shoot in environments that offer great potential for the type of photography I love. Recently, I’ve been fortunate to land several exciting gigs that mark important milestones in my journey. One of the most significant upcoming events is photographing Things of Stone & Wood on Melbourne Cup Day. It's a huge opportunity to capture the energy of this iconic Australian folk-rock band, and I’m eager to see how the performance unfolds through my lens. I’ve also been booked for Murray Cook's Soul Movers at the Northcote Social Club, which adds a different favourite to my portfolio. The Northcote Social Club is a venue I’ve shot at before, and it has a great intimate vibe, perfect for capturing both close-up emotional moments and wide crowd shots. I'm looking forward to showcasing the energy and vibrancy that Murray Cook, famously known for his time in The Wiggles, brings to the stage with his current band. Another exciting project is a music festival at the Corner Hotel. Festivals always offer a unique challenge—multiple bands, quick set changes, and diverse lighting setups—making it an excellent opportunity to sharpen my skills and capture a variety of performances. The Corner Hotel is a venue I have a lot of history with, and its dynamic atmosphere will provide plenty of chances to get some truly memorable shots. Perhaps the gig I’m most excited about is the upcoming Sisters Doll show at Max Watts. Sisters Doll are a band I’ve followed and shot for a while now, and their energetic performances always result in some of my favorite photos. Capturing their journey and growth as a band has been a rewarding experience, and this gig promises to be one of their biggest yet. These bookings reflect the trust I’ve built with bands and venues over time and symbolize the progression of my work from an aspiring photographer to a professional actively sought after for major events. Each new project brings its own challenges and learning experiences, pushing me to keep growing both artistically and professionally. In the end, it all comes back to that moment when I press the shutter and know I’ve captured something special—a moment in time that embodies the sound, the mood, and the magic of live music. That’s what keeps me going and what I look forward to with every gig I shoot.
0 Comments
Leave a Reply. |
AuthorI am a live music photographer, who loves travelling and taking photos of live music! Archives
March 2025
Categories |